Actually, the Dead Are Not Dead.
<p>With the term chrononormativity, Elizabeth Freeman describes a timeliness that is following a normative regime. A “deviant chronopolitics,” she says, is one that envisions “relations across time and between times” that upturns developmentalist narratives of history (Freeman, 58, 63). Lorenza and many others have become agents in a deviant chronopolitics and the cripping of art history. <em>Crip Magazine</em> collects artifacts of this transhistorical crip (sub)culture. It relates to historical struggles, aiming to create trans-temporary connections and communities across time.</p> <p>Desire, time traveling, and fragmented bodies are some of the themes that connect the different pieces in this volume…</p>
Editors: Eva Egermann, Iris Dressler
Contributors: Julia B., Linda Bilda, Lorenza Böttner, Antonio Centeno, C.R.E.M.E. Collective, Iris Dressler, Hans D. Christ, Eva Egermann, Walter Ego, Valérie Favre, Shannon Finnegan, Jonah I. Garde, Raina Hofer, Ianina Ilitcheva, Jakob Jakobsen, Saskia Kaffenberger, Iris Kopera, Jemina Lindholm, Elia Lüthi, Philmarie, Paul B. Preciado, Rick Reuther, Volker Schönwiese, Sunaura Taylor, Nicole voec, Romily Alice Walden
Translators: Erika Doucette, Dawn Michelle d’Atri
Proofreader: Dawn Michelle d’Atri
Designer: Toledo i Dertschei
Cover Designer: Lorenza Böttner
Part of: Crip Magazine