The Avery Review Issue 52

<p>Batoul Faour takes stock of the shattered glass in Beirut in the aftermath of the August 4th port explosion to uncover political violence waged through this fragile material; Jacob Cascio carefully unfolds the story of the National AIDS Memorial Grove’s ever-changing landscape; Tamara Zeina Jamil looks beyond Rikers Island to reveal the machinations of the carceral industrial complex; and Brandon Adriano Ortiz coils together a personal, spatial, and temporal account of Taos and the Taos Pueblo that casts body, building, and micaceous clay into ongoing relation.</p>

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The Avery Review

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