The Avery Review Issue 57

<p>Bella Carmelita Carriker complicates the “public” memory of 9/11, recording the long-term violences enacted against low-income communities of color; Supriya Ambwani exposes histories of spatial violence and colonial extraction entangled in the Great Hedge of India; Gealese Peebles traces the historiographic silhouette of Norma Merrick Sklarek to scrutinize architecture’s diversity narratives; and Peter Paul Walhout unsubscribes from the internet-as-utility rhetoric in NYC that has come to stand in for questions of inequality during the COVID-19 pandemic.</p>

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The Avery Review

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