The Avery Review Issue 60

<p>Brit Schulte tends to the (“anti-conclusion”) conclusion of Ruth Wilson Gilmore’s <em>Abolition Geography: Essays Toward Liberation</em>; Shani Strand follows the sonic landscapes of drill and dancehall attuned to the social potentials of “badness”; and Kate Wagner walks—metaphorically and literally—through the possibilities sparked by Socialist Reconstruction.</p>