The Avery Review Issue 61
<p>Esra Akcan expands the historically conscious perspective in A. Naomi Paik’s <em>Bans, Walls, Raids, Sanctuary</em> to meet other sites, other architectures, other targets of abolition; Line Algoed and Antonio Carmona Báez celebrate Barbuda’s communal relation to the land and resistance to predatory development; Julia Michiko Hori locates an aesthetics of refusal in the transatlantic counter-monument; and Alison Rose Reed reviews Part I of Ruth Wilson Gilmore’s <em>Abolition Geography</em>, reinscribing the politics of abolition as movements and institutions seek to misappropriate and neutralize it.</p>
Contributors: Esra Akcan, Line Algoed, Antonio Carmona Báez, Julia Michiko Hori, Alison Rose Reed
Contributing Editor: Joanna Joseph, Isabelle Kirkham-Lewitt, Grace Sparapani, Melis Uğurlu
At-Large Editor: Tizziana Baldenebro, Aleksandr Bierig, Caitlin Blanchfield, Elsa MH Mäki, Jacob R. Moore, Kate Yeh Chiu
Part of: The Avery Review