e-flux Journal #146

<p>For something to be “avant-garde” it has to be more than an outré work in one medium or another. An avant-garde is an <em>aesthetics of organization</em>. It brings together artists in different media around some contested but more or less agreed impulse. An avant-garde touches all aspects of life and proposes a <em>revolution of everyday life</em> along <em>aesthetic</em> lines.</p> <p><strong>Editorial: A Hacker Manifesto, Twenty Years On</strong><br /> McKenzie Wark</p> <p><strong>The Unauthorized Repair of the World</strong><br /> Yifan Wang and Changwen Chen</p> <p><strong>Daylighting Cryptocurrency’s Waterstreams</strong><br /> Isabel Ling</p> <p><strong>Life in Fifteen Gigabytes</strong><br /> Bami Oke</p> <p><strong>Pussy Capital</strong><br /> Liara Roux</p> <p><strong>A Hacked Manifesto</strong><br /> Chelsea Thompto</p> <p><strong>The Hacker Class Is Dead, Long Live the Hackers!</strong><br /> Francisco Nunes</p> <p><strong>Vectors Mutate</strong><br /> Valérian Guillier</p> <p><strong>Towards a Transsexual Understanding of Nature</strong><br /> Luce deLire</p> <p><strong>Hacker Theory</strong><br /> Hugh Davies</p> <p><strong>The Hacking of Culture and the Creation of Socio-Technical Debt</strong><br /> Kim Córdova and Bruce Schneier</p> <p><strong>After Doomscroll: A Conversation with Chelsea Manning</strong><br /> Janus Rose</p>

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e-flux

Part of: e-flux journal

ISBN: 21641625

ISSN: 21641625

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