e-flux Journal #62
<p>Increasingly it seems like no large exhibition opens without an artist boycott. And the reasons to withdraw are legitimate—a gulf museum employs migrant labor under terms approaching slavery, a biennial sponsor corporation operates an offshore detention center, works are censored for petty moral reasons, a municipality passes a homophobic law, or funding is traced to an occupying state with a staggering record of ongoing human rights abuses…</p> <p><b>Editorial</b><br /> Julieta Aranda, Brian Kuan Wood, Anton Vidokle</p> <p><b>The Detweeting of Academia </b><br /> Luis Camnitzer</p> <p><b>Circulation and Withdrawal, Part I: Circulation</b><br /> Simon Sheikh</p> <p><b>CCC: Currency of Collective Consciousness</b><br /> Ahmet Öğüt</p> <p><b>Déjà Vu and the End of History</b><br /> Paolo Virno</p> <p><b>Media Archaeology Out of Nature: An Interview with Jussi Parikka</b><br /> Paul Feigelfeld</p> <p><b>Too Real an Unreality: Financial Markets as Occult</b><br /> Philip Grant</p> <p><b>The Communal Rift: The State Must be Defended</b><br /> Jon Rich</p> <p><b>The Common in the Time of Creative Reproductions: On Gerald Raunig’s Factories of Knowledge, Industries of Creativity</b><br /> Ewa Majewska</p>
Editors: Julieta Aranda, Brian Kuan Wood, Anton Vidokle
Contributors: Julieta Aranda, Brian Kuan Wood, Anton Vidokle, Luis Camnitzer, Simon Sheikh, Ahmet Öğüt, Paolo Virno, Paul Feigelfeld, Philip Grant, Jon Rich, Ewa Majewska
Part of: e-flux journal
ISSN: 21641625