e-flux Journal #65

<p><em>e-flux journal</em> has been invited to participate in <em>All The World’s Futures</em> — the 56th International Art Exhibition: La Biennale di Venezia. For their contribution they created a single issue of the journal spanning four months from May to August, with one piece of writing released each day.</p> <p>Departing from the journal’s usual essayistic format, the <em>SUPERCOMMUNITY</em> issue includes poetry, short fiction, plays and screenplays, as well as other epistolary forms by nearly one hundred authors. The theme is an umbrella for several sub-themes developed by Julieta Aranda, Brian Kuan Wood, and Anton Vidokle in collaboration with a number of guest editors including Raqs Media Collective, Natasha Ginwala, Pedro Neves Marques, Boris Groys, Tom Holert, and Coco Fusco.</p> <p><strong>SUPERCOMMUNITY (editorial)</strong><br /> Julieta Aranda, Brian Kuan Wood, Anton Vidokle</p> <p><strong>The Art of Cooking: A Dialogue Between Julia Child and Craig Claiborne</strong><br /> Martha Rosler</p> <p><strong>The Great Silence</strong><br /> Allora & Calzadilla, Text by Ted Chiang</p> <p><strong>Cosmic Anxiety: The Russian Case</strong><br /> Boris Groys</p> <p><strong>On the Documentary</strong><br /> Harun Farocki</p> <p><strong>Tuned to a Dead Channel<br /> </strong>Julieta Aranda, Ana Teixeira Pinto</p> <p><strong>Apocalypsis, or The Dragon in Her Cave</strong><br /> Jimmie Durham</p> <p><strong>Construction with Steel and Technology</strong><br /> Nina Power</p> <p><strong>Thinking About Art Thinking</strong><br /> Luis Camnitzer</p> <p><strong>Things Based on Real-Life Events<br /> </strong>Ahmet Öğüt</p>