e-flux Journal #7
<p>The processes of the factory have entered the museum in ways that Warhol and Duchamp could never have dreamed: the amount of art production now by far exceeds what can be processed or understood, and this often creates a degree of mistrust and an absence of common points of reference with which to not only discuss, but also to gain anything from the sheer volume of artworks placed on display today. The time to engage and digest work is often replaced by additional work—it just keeps coming down the line…</p> <p><b>Editorial</b><br /> Julieta Aranda, Brian Kuan Wood, Anton Vidokle</p> <p><b>Concerning Matters to be Left for a Later Date, Part 4 of 4 (Guest-Starring Annika Eriksson)</b><br /> Michael Baers</p> <p><b>Self-Design and Aesthetic Responsibility</b><br /> Boris Groys</p> <p><b>Earthworms Dancing: Notes for a Biennial in Slow Motion</b><br /> Raqs Media Collective</p> <p><b>Artistic Sovereignty in the Shadow of Post-Socialism: Egypt’s 20th Annual Youth Salon</b><br /> Omnia El Shakry</p> <p><b>Is a Museum a Factory?</b><br /> Hito Steyerl</p> <p><b>Art of Conversation, Part II</b><br /> Monika Szewczyk</p> <p><b>A Universalism for Everyone</b><br /> Brian Kuan Wood</p> <p><b>A Game Played Without Rules Has No Losers</b><br /> Pauline J. Yao</p>
Editors: Julieta Aranda, Brian Kuan Wood, Anton Vidokle
Contributors: Julieta Aranda, Brian Kuan Wood, Anton Vidokle, Michael Baers, Boris Groys, Raqs Media Collective, Omnia El Shakry, Hito Steyerl, Monika Szewczyk, Pauline J. Yao
Part of: e-flux journal
ISSN: 21641625