e-flux Journal #74

<p>Tech is never simply technology. It never appears in the abstract, any more than the characters “H2O” appear anywhere on water. Tech is always specific. How old should someone be when they first have sex? How old before they get their first cell phone? This sequence unsettles us because it is hard to think about either inevitability. Sex and technology are instruments of desire, the objects and system of adult unfreedom. Children at play are so analog. Young is life before text. We clutched love letters, in the past, when we couldn’t clutch each other. Now our phones get warm and vibrate. Eventually, they die. As a proxy for a body, technology is never better than the next best thing. Too often, it’s the only one. Today the image of the beloved appears most against the canvas of the phone, carved into polymer, inscribed onto text messages, recorded in electronic memory. Our relationships with our phones are our relationships, most of the time…</p> <p><strong>Editorial—”Art Ontologies of Silicon Valley”<br /> </strong>Editors<strong><br /> </strong></p> <p><strong>What if There’s No Next Big Thing?</strong><br /> Douglas Coupland</p> <p><strong>Light Industry: Toxic Waste and Pastoral Capitalism</strong><br /> Ingrid Burrington</p> <p><strong>The Artist Leaving the Googleplex</strong><br /> Andrew Norman Wilson</p> <p><strong>Asynchronous! On the Sublime Administration of the Everyday</strong><br /> Mike Pepi</p> <p><strong> Love Machines and the Tinder Bot Bildungsroman</strong><br /> Lee Mackinnon</p> <p><strong>The Artist-in-Consultance: Welcome to the New Management<br /> </strong>Elvia Wilk</p> <p><strong>Jodi’s Infrastructure</strong><br /> Alexander R. Galloway</p> <p><strong>Contra-Internet</strong><br /> Zach Blas</p> <p><strong>No Man’s Space: On Russian Cosmism</strong><br /> Marina Simakova</p>

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e-flux

Part of: e-flux journal

ISSN: 21641625

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