e-flux Journal #84

<p>Indentured to the past, we drag our inherited identities through a forest of networks bursting with mysterious intellectual fruit. We’re not sure which concepts are poisonous and which are safe. History is like a mistranslated phrasebook full of old-fashioned illustrations which everyone makes fun of on the internet. Attempts at organization feel fanciful and absurd: eclectic inventories of apocalypse-kitsch. In “A Palace of Unsaids,” Rob Goyanes considers the work of mourning under twenty-first century conditions. Does it matter if we show up to the wrong shift at the memorial-factory as long as we do our time?…</p> <p><strong>Editorial</strong><br /> Editors</p> <p><strong>Armed Response: Translation as Judicial Hearing</strong><br /> Emily Apter</p> <p><strong>Trump’s America: Playing the Victim</strong><br /> Boris Groys</p> <p><strong>We, Indigenous Women</strong><br /> Houria Bouteldja</p> <p><strong>A Palace of Unsaids</strong><br /> Rob Goyanes</p> <p><strong>Ultra-Black: Towards a Materialist Theory of Oil</strong><br /> Oxana Timofeeva</p> <p><strong>Chorus Anonymous: Voices from Documenta 14</strong><br /> Claire Fontaine</p> <p><strong>What We Are Fighting For</strong><br /> Rijin Sahakian</p> <p><strong>Truth Is in the Tower</strong><br /> Francesca Hughes</p> <p><strong>We Have Never Been Post-Industrial</strong><br /> Jacob Stewart-Halevy</p>

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e-flux

Part of: e-flux journal

ISSN: 21641625

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