MEDIATING

<p>This eighth SDUK broadsheet takes <strong>MEDIATING</strong> as its theme, in parallel with the Blackwood’s virtual program <em>Running with Concepts: The Mediatic Edition</em>, to consider sites and practices of mediation in culture, technology, and media. Following SDUK07: TILTING (an urgent 2-part issue in response to the first wave of COVID-19), the series returns in 2021—albeit in a form that continues to be shaped by the effects of the pandemic—and launches simultaneously on the Blackwood website.</p> <p>For those who wonder, <strong>how are mediated circumstances changing our ways of relating and predicting?</strong>, excerpts from Tommy Pico’s book-length poem <em>Junk</em> (p. 18) offer a riotous convergence of land, love, and queer sexuality against the ever-looming backdrops of climate change, fascism, and settler colonialism. Reckoning with futurity in his continued engagement with economics, D.T. Cochrane critiques economic forecasting’s failure to model for uncertainty (p. 30).</p> <p>With tech companies holding monop-olies on internet infrastructures, some readers may wonder: <strong>What forms of technology critique and dissent are needed?</strong> A panel discussion with Meredith Broussard, Beth Coleman, and Shalini Kantayya reflects on the biases amplified in artificial intelligence and facial recognition technologies (p. 7); while Taeyoon Choi warns against repeating the inaccessible, racially-homogenous, and male-dominated norms of tech companies within the emergence of the distributed web (p. 4). Mike Pepi’s <em>Elements of Technology Criticism</em> aims to set baseline principles for broad-scale technology critique, and his accompanying essay reflects on a recent workshop where participants co-wrote and annotated responses to his text (p. 16)…</p>

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