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<p>1) In his language works, when Steinbach conserves a phrase in his collection, it is an act of memory, of preserving a relation of language and community, thus his insistence on duplicating the typeface, the original look of the words. What he does with this found relation by rearranging it visually and conceptually (as image and as referent) invites viewers to participate in a <i>replay</i> of messages, to examine how we identify and re-identify with the language and image before us.</p> <p>2) By the beginning of the 21^st century the vernacular of the “saying” has expanded into new territories of communication. “Sayings” as an image of the printed word are employed as agents of desire, baits, callings, devices for getting attention and temptation ploys. What Steinbach does with this found relation by rearranging it visually and conceptually (as image and referent) invites viewers to re-identify with the language before them. The challenge to the viewer is what to make of it.</p> <p>3) Steinbach is a veteran collector of short statements. When he comes across a colloquialism, a title, or a slogan that strikes him as intriguing or relevant, he clips the text, conserving both the words and typeface, which is their visual presentation. By turning vernacular phrases into wall painting, drawing or print, Steinbach subverts the original context of the language he’s found and moves the words toward new identifications and associations…</p>