The Avery Review Issue 31

<p>Tizziana Baldenebro confronts the undervaluation of critical black female art and the Museum of Contemporary Art Chicago’s inclusionary curatorial practices; Elsa Hoover investigates the violent intersection of resource extraction, land ownership, and tribal sovereignty in the “man camp”; Kahira Ngige speculates on the megachurch and the urban implications of ecclesiastical architecture in Nairobi; and Sajdeep Soomal situates family history within the colonial orders of Ontario and the Punjab.</p>

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The Avery Review

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