The Avery Review Issue 36

<p>Peggy Deamer reads the fine print of antitrust law; Jeffrey S. Nesbit ruminates on what preservation means in the technical wasteland of Cape Canaveral; and Irene Sunwoo untangles the transhistorical meanings of Cameron Rowland’s <i>D37</i> at the Museum of Contemporary Art in Los Angeles.</p>

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The Avery Review

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