The Avery Review Issue 37

<p>Charlette Caldwell parses the historiographical origins of the shotgun house; Miles Gertler restages the architectural precedents of Jeremy O Harris’s newest play, <i>Daddy</i>; darren patrick plots a non-conforming map from the High Line to Atlantide through two texts by Lucas Crawford; and Gabrielle Printz attends the world premiere of <i>Frank Gehry: Building Justice</i>.</p>

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The Avery Review

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