The Avery Review Issue 40
<p>Caitlin Blanchfield and Nina Valerie Kolowratnik explore cartographies and counter-cartographies of surveillance in the Tohono O’odham Nation; Yuki Higashino retraces the transnational/transhistorical sprawl of the Bauhaus on display at HKW; Reinhold Martin entangles “Bjarke” and “Murdoch” in a Lower Manhattan lifeboat under construction; Daryl Meador embodies oil at Houston’s Weiss Energy Hall; Bart-Jan Polman dissects the historicist histrionics of the Netherlands’ Forum for Democracy; Pollyanna Rhee journeys between a special economic zone in Ireland and a retrospective of Kennedy Browne’s work at the Krannert Art Museum; Ivonne Santoyo-Orozco voices the neocolonial impact of Mexican president Andrés Manuel López Obrador’s <i>Tren Maya</i>; and Filipe de Sousa speculates on the individual, the collective, and the collection at NURTUREart’s <em>Aesthetic Behavior; Developmental Sequences</em>.</p>
Editors: James Graham
Managing Editor: Isabelle Kirkham-Lewitt
Contributing Editor: Alissa Anderson, Caitlin Blanchfield, Jacob R. Moore
At Large Editor: Shumi Bose, Jordan H. Carver, Ana María León
Contributors: Caitlin Blanchfield, Nina Valerie Kolowratnik, Yuki Higashino, Reinhold Martin, Daryl Meador, Bart-Jan Polman, Pollyanna Rhee, Ivonne Santoyo-Orozco, Filipe de Sousa
Part of: The Avery Review