The Avery Review Issue 50

<p>Seçil Binboga reframes the Mediterranean as a site of endless war through the lens of Theo Angelopoulos; Sara Jensen Carr confronts NASA’s spatial and cultural occupation of Hawai’i; Jade Kake recounts the Māori response to COVID-19 against the recovery efforts of colonial state power in New Zealand; Gabrielle Printz reconstructs “manpower” in the United States as a product of racial capitalism; and Andrew Wasserman dives into the political, economic, and ecologic entanglements of an underwater memorial to active service.</p>

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The Avery Review

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