The Avery Review Issue 51
<p>Roberto Boettger reframes what is being conserved at Tijuca National Park and denaturalizes the project of conservation behind UNESCO’s first “urban cultural landscape”; Ella Comberg seeks views of the street beyond what Doug Rickard’s <i>A New American Picture</i>, and Google, ask us to see; Alexyss McClellan-Ufugusuku extends the recent COVID-19 outbreak at Marine Corps Air Station Futenma to legacies of dual colonization and militarization in Okinawa; Karamia Müller revisits her architectural education alongside the imperial conception of land that came with it; and Malcom Rio and Aaron Tobey examine the design of injustice in the case of the courthouse.</p>
Contributing Editor: Caitlin Blanchfield, Joanna Joseph, Isabelle Kirkham-Lewitt, Jacob R. Moore
At-Large Editor: Alissa Anderson, Jordan H. Carver, Elsa Hoover, Ana María León
Guest Editor: Nasra Abdullahi
Contributors: Roberto Boettger, Ella Comberg, Alexyss McClellan-Ufugusuku, Karamia Müller, Malcom Rio, Aaron Tobey
Part of: The Avery Review